New Lithography

The new lithography The bridge is inspired by the art installation created in the DMZ between north and South Korea


El Seed


eL Seed uses Arabic calligraphy and a distinctive style to spread messages of peace, unity and to underline the commonalities of human existence. His artwork can be found all over the world and consistently aim at unifying communities and redressing stereotypes.

Born in 1981 in Paris to Tunisian parents he spent his youth learning graffiti and breakdancing. He was disconnected from his Arabic roots, speaking only the Tunisian dialect of the language at home. In his teenage years in a kind of quest for his identity, he began to delve into his own heritage and learned to read and write standard Arabic.

It was during this journey that he began to develop his artistic style of calligraphy, which would later bring him worldwide acclaim…


The Space

eL Seed works in the public sphere. His work is not signed and he doesn’t claim ownership upon them. He works for the people and most of the time, with the people. This idea of democratising art extends to his studio space. He works from a warehouse in Alserkal Avenue in Dubai where the door is always open. He wants people to be able to visit him at any time and witness the way he works. The studio space is a reflection of what he does in public.




In 2012, when eL Seed painted the minaret of Jara Mosque in his hometown of Gabes, in the south of Tunisia, he never thought that an art piece would bring so much attention to his city

Initially, he was just looking for a wall in his hometown, and it happened that the minaret was built in 1994. And for 18 years, those 57 meters of concrete stayed grey. When he met the Imam of the Mosque for the first time, and he told him what he wanted to do, the Imam responded, “Thank God you finally came,”.